A Life in Art and Education

Daniel Cohen is a director, actor, educator, and arts administrator with a deep commitment to student-centered, ensemble-based theatre practice. He holds an MFA in Directing from the University of Washington, where he studied under Jon Jory, Robyn Hunt, and Steve Pearson. He has taught Acting, Movement, Directing, and Script Analysis at institutions including The New York Conservatory for Dramatic Arts (2013–present), Marymount Manhattan College, NYU Tisch School of the Arts (Meisner and Classical studios), Cal State Long Beach, and the University of Washington.

Daniel’s physical training is grounded in decades of work with the Suzuki and Viewpoints techniques, shaped by long-term mentorship through SITI Company and P3/East. He completed a two-year internship with The Wooster Group and has continued to explore experimental and embodied performance throughout his directing and teaching career.

As a director, Daniel’s credits span classical, devised, and new work. Highlights include The Tempest, In the Blood, Durang Durang, Language of Angels, and the staged reading of Freud’s Last Session at Barrington Stage, which helped launch the play’s full production and Off-Broadway run. At NYCDA, he directed 8 Pieces, a devised production created in collaboration with José Rivera, who contributed new material and mentored students in rehearsal. Other original works Daniel has directed include Catullus Live, Juliet, Teresa, and Back to One.

His acting credits include ensemble and featured roles at The Marsh (SF), The Theatorium, Pearl Theatre Company, The Performing Garage, X Repertory Theatre, and HERE Arts Center. He was a member of Richard Kimmel’s Cannon Company, performing in boundary-pushing productions including Three Sisters, Puss, and Witch’s Macbeth. Notably, he played Oberon in A Midsummer Night’s Dream alongside Tony Award-winner Dan Fogler.

As Assistant to Artistic Director Julianne Boyd at Barrington Stage Company, Daniel supported mainstage and developmental productions, including the New Musical Theatre Lab curated by William Finn. He brings to all his work a commitment to craft, collaboration, and the transformative power of storytelling.

Portrait of a man with a shaved head, wearing a blue collared shirt, looking directly at the camera.

A Life in Art and Education

Daniel Cohen is a director, actor, educator, and arts administrator with a deep commitment to student-centered, ensemble-based theatre practice. He holds an MFA in Directing from the University of Washington, where he studied under Jon Jory, Robyn Hunt, and Steve Pearson. He has taught Acting, Movement, Directing, and Script Analysis at institutions including The New York Conservatory for Dramatic Arts (2013–present), Marymount Manhattan College, NYU Tisch School of the Arts (Meisner and Classical studios), Cal State Long Beach, and the University of Washington.

Daniel’s physical training is grounded in decades of work with the Suzuki and Viewpoints techniques, shaped by long-term mentorship through SITI Company and P3/East. He completed a two-year internship with The Wooster Group and has continued to explore experimental and embodied performance throughout his directing and teaching career.

As a director, Daniel’s credits span classical, devised, and new work. Highlights include The Tempest, In the Blood, Durang Durang, Language of Angels, and the staged reading of Freud’s Last Session at Barrington Stage, which helped launch the play’s full production and Off-Broadway run. At NYCDA, he directed 8 Pieces, a devised production created in collaboration with José Rivera, who contributed new material and mentored students in rehearsal. Other original works Daniel has directed include Catullus Live, Juliet, Teresa, and Back to One.

His acting credits include ensemble and featured roles at The Marsh (SF), The Theatorium, Pearl Theatre Company, The Performing Garage, X Repertory Theatre, and HERE Arts Center. He was a member of Richard Kimmel’s Cannon Company, performing in boundary-pushing productions including Three Sisters, Puss, and Witch’s Macbeth. Notably, he played Oberon in A Midsummer Night’s Dream alongside Tony Award-winner Dan Fogler.

As Assistant to Artistic Director Julianne Boyd at Barrington Stage Company, Daniel supported mainstage and developmental productions, including the New Musical Theatre Lab curated by William Finn. He brings to all his work a commitment to craft, collaboration, and the transformative power of storytelling.

Headshot of a man with short hair, wearing a blue shirt, looking directly at the camera.

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